We turn a physical swatch into a photoreal PBR material: colour, weave, sheen and pile, measured, not guessed. Every render, configurator and 360 across your catalog then uses the exact same fabric.
PBR materialHigh Fidelity Model1 model in → every variant out
The swatch in the buyer's hand and the render on your product page have to match. When the digital fabric is eyeballed from a photo, the colour drifts, the weave flattens, and the piece that arrives is not the piece they chose.
We scan the real material and calibrate it against a reference chart, so the render is the fabric. One measured source feeds visuals, configurator and print alike.
MyBed's range at launch, around 550 today. Every one measured against a reference chart, so the render is the fabric.
The digitized material feeds Variant Visuals, the Modular Configurator and 360 sets from one record. No per-channel re-tinting, no mismatches between the studio shot and the live build.
Scan DataWeb RenderPrint ReadyLive BuildReference-calibrated capture keeps the digital fabric locked to the physical one, so returns from colour surprise drop and the product page earns trust instead of spending it.
Color CalibratedColour-exactSometimes the job is refinement rather than scanning. Fargotex Golden came with the manufacturer's own textures, and they were not good enough for a close look, so we rebuilt the chenille as one physically accurate material and derived every colourway from it. Pick a colour and an angle.
Golden 25rebuilt material
Photography flattens a weave and a phone camera lies about colour. A buyer who cannot trust the fabric on screen will not buy it, or worse, will send it back.
If the swatch and the screen disagree, the screen loses the sale.
From the blog
Mail us one fabric collection and we will digitize a sample and show it on a real render, so you can judge the match before you commit.
